dr hab. Magdalena Pypeć
Deparment of British Literature
associate professor
Room number: 2.245
Phone: +48 (22) 5531415
email: magdalenapypec@uw.edu.pl
Wednesdays 13:00-14:30, room 2.245 or
online via Zoom by prior e-mail appointment
Degrees
"M.A. , University of Warsaw, 1999
Ph.D., University of Warsaw, 2004
Associate Professor, University of Warsaw, 2016"
Research interests and projects
Nineteenth-century novel
Romantic and Victorian literature and culture
Victorian and Romantic poetry and poetics
Literary theory
comparative literature
film adaptation
Selected publications
Books
Bystydzieńska, G. & Harris, E. (Eds.). (2018). From Queen Anne to Queen Victoria. Readings in 18th and 19th Century British Literature and Culture. Vol. 6. . Warszawa: Wydawnictwa Uniwersytetu Warszawskiego.
Bystydzieńska, G. & Harris, E. (Eds.). (2016). From Queen Anne to Queen Victoria. Readings in 18th and 19th century British Literature and Culture. Vol. 5. . Warszawa: Uniwersytet Warszawski, Instytut Anglistyki - Pracownia "Ośrodek Studiów Brytyjskich".
Pypeć, M. (2016). The Victorian Poet and His Readers: The Strange Case of Tennyson's "The Princess.". . Frankfurt am Main: Peter Lang.
Bystydzieńska, G. (Ed.). (2016). Things and Images in 18th and 19th century British Literature and Culture. . Warsaw: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.
Chapters
Pypeć, M. (2018). The Racialized Body in "The Mystery of Edwin Drood". In G. Bystydzieńska & E. Harris (Eds.). From Queen Anne to Queen Victoria. Readings in 18th and 19th Century British Literature and Culture. Vol. 6. (pp. 273-284). Warszawa: Wydawnictwa Uniwersytetu Warszawskiego.
Pypeć, M. (2017). Mesmerism in The Mystery of Edwin Drood. In M. Pypeć , A. Kędra-Kardela & A. Kędzierska (Eds.). Studies in English Literature and Culture. Festschrift in Honour of Professor Grażyna Bystydzieńska. (pp. 219-230). Lublin: Maria Curie-Skłodowska University Press.
Pypeć, M. (2017). The Mesmerist as Criminal in The Mystery of Edwin Drood. In G. Bystydzieńska (Ed.). Gothic, Sensation, Detection. (pp. 227-240). Warszawa: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.
Pypeć, M. (2016). The Female Grotesque in Tennyson's "The Princess.". In G. Bystydzieńska & E. Harris (Eds.). From Queen Anne to Queen Victoria. Readings in 18th and 19th century British Literature and Culture. Vol. 5. (pp. 351-362). Warszawa: Uniwersytet Warszawski, Instytut Anglistyki - Pracownia "Ośrodek Studiów Brytyjskich".
Pypeć, M. (2016). "Beautifully got up, but the illustrations we cannot admire" - Tennyson's "The Princess" as a Christmas Gift Book. In G. Bystydzieńska (Ed.). Things and Images in 18th and 19th century British Literature and Culture. (pp. 127-138). Warsaw: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.
Pypeć, M. (2016). Depicting the Body in the Victorian Novel - "The Strange Case of Dr Jekyll and Mr Hyde.". In G. Bystydzieńska (Ed.). Things and Images in 18th and 19th century British Literature and Culture. (pp. 227-235). Warsaw: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.
Pypeć, M. (2014). "Wuthering Heights and the Nineteenth Century Campaign for the Abolishion of Slavery.". In D. Babilas , A. Piskorska & P. Rutkowski (Eds.). Face to Face, Page to Page. PASE Papers in Literature, Language and Culture. (pp. 319-326). Warszawa: Instytut Anglistyki UW.
Pypeć, M. (2014). "Tennyson's 'Ulysses' and Two Beelzebubs - The Significance of Miltonic and Dantesque Echoes in the Poem". In G. Bystydzieńska & E. Harris (Eds.). From Queen Anne to Queen Victoria. Readings in 18th and 19th century British literature and culture. Vol. 4. (pp. 453-461). Warszawa: Uniwersytet Warszawski, Ośrodek Studiów Brytyjskich.
Pypeć, M. (2013). "Outlaw Emotions": Carol Ann Duffy's "Eurydice", Dramatic Monologue and Victorian Women Poets. In J. Fabiszak , E. Urbaniak-Rybicka & B. Wolski (Eds.). Crossroads in Literature and Culture. (pp. ). Berlin Heidelberg: Springer.
Articles
Pypeć, M. (2015). Carnivalesque Gardens in Tennyson's 'The Princess.'. Acta Philologica, 47, (pp. 51-60).
Pypeć, M. (2015). Disguise and Gender in Tennyson's "The Princess". The New Review : an International Journal of British Studies, 5, (pp. 95-105).
Pypeć, M. (2014). Tennyson's Weeper Revisited - "Tears, Idle Tears" in Context. Studia Methodologica, 39, (pp. 13-18).
Pypeć, M. (2014). "Literature and Science in the Nineteenth Century: The Case of Tennyson's 'The Princess'.". Acta Philologica, (pp. 29-35).
Pypeć, M. (2013). Taking a Stand on Remembrance: Emily Jane Bronte and Victorian Literary Annuals. Acta Philologica, (pp. 38-44).
Older publications can be found on the complete list in PBN
Other
Courses conducted at The Institute of English Studies, UW:
Dickens i zbrodnia / Dickens and Crime
Twórczość Karola Dickensa w adaptacji filmowej i teatralnej / Dickens Re-visioned
Szczegółowa analiza i interpretacja wybitnego tekstu literackiego: Oliver Twist Karola Dickensa / Close Reading of a Major English Text: Oliver Twist by Charles Dickens
Dickens i wiktoriańska powieść seryjna: czytanie Dickensa w odcinkach / Dickens and the Victorian Serial Novel: Reading Dickens in Instalments
Poezja wiktoriańska / Victorian Poetry
Literatura angielska 1 i 2/ English Literature 1 and 2
Wstęp do literaturoznawstwa CLIL 1 i 2 / Introduction to Literary Studies CLIL 1 and 2
Wykład monograficzny: Poezja i proza brytyjska od początku XIX do początku XX wieku / Monographic lecture: British Poetry and Prose of the Long Nineteenth Century
Literatura i kultura brytyjska XIX wieku (wykład monograficzny) / Literature and Culture of the 19th Century Britain (monographic lecture)
Literatura i kultura dziewiętnastowiecznej Anglii (Poezja, proza, krytyka społeczno-literacka, powieść wiktoriańska w adaptacjach filmowych) / Nineteenth-Century British Literature and Culture (Poetry, Fiction, Literary and Social Criticism, Victorian Literature and Film Adaptation) – MA Seminar
Nauka języka angielskiego dla celów literaturoznawstwa CLIL 1 i 2 / Practical English for Literary Studies CLIL 1 and 2