[Translate to English:]

dr hab. Magdalena Pypeć


British literature

associate professor

Room number: 337

Phone: +48 (22) 5531415

email: magdalenapypec@uw.edu.pl

  Office hours: Winter semester 2019-2020
Monday - 9.00-10.30
dr hab. Magdalena Pypeć

Degrees

"M.A. , University of Warsaw, 1999

Ph.D., University of Warsaw, 2004

Associate Professor, University of Warsaw, 2016"


Research interests and projects

Romantic and Victorian literature and culture

Victorian and Romantic poetry and poetics

Nineteenth-century novel

Literary theories


Selected publications

Books

Bystydzieńska, G. & Harris, E. (Eds.). (2018). From Queen Anne to Queen Victoria. Readings in 18th and 19th Century British Literature and Culture. Vol. 6. . Warszawa: Wydawnictwa Uniwersytetu Warszawskiego.

Bystydzieńska, G. & Harris, E. (Eds.). (2016). From Queen Anne to Queen Victoria. Readings in 18th and 19th century British Literature and Culture. Vol. 5. . Warszawa: Uniwersytet Warszawski, Instytut Anglistyki - Pracownia "Ośrodek Studiów Brytyjskich".

Pypeć, M. (2016). The Victorian Poet and His Readers: The Strange Case of Tennyson's "The Princess.". . Frankfurt am Main: Peter Lang.

Bystydzieńska, G. (Ed.). (2016). Things and Images in 18th and 19th century British Literature and Culture. . Warsaw: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.

Chapters

Pypeć, M. (2018). The Racialized Body in "The Mystery of Edwin Drood". In G. Bystydzieńska & E. Harris (Eds.). From Queen Anne to Queen Victoria. Readings in 18th and 19th Century British Literature and Culture. Vol. 6. (pp. 273-284). Warszawa: Wydawnictwa Uniwersytetu Warszawskiego.

Pypeć, M. (2017). Mesmerism in The Mystery of Edwin Drood. In M. Pypeć , A. Kędra-Kardela & A. Kędzierska (Eds.). Studies in English Literature and Culture. Festschrift in Honour of Professor Grażyna Bystydzieńska. (pp. 219-230). Lublin: Maria Curie-Skłodowska University Press.

Pypeć, M. (2017). The Mesmerist as Criminal in The Mystery of Edwin Drood. In G. Bystydzieńska (Ed.). Gothic, Sensation, Detection. (pp. 227-240). Warszawa: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.

Pypeć, M. (2016). The Female Grotesque in Tennyson's "The Princess.". In G. Bystydzieńska & E. Harris (Eds.). From Queen Anne to Queen Victoria. Readings in 18th and 19th century British Literature and Culture. Vol. 5. (pp. 351-362). Warszawa: Uniwersytet Warszawski, Instytut Anglistyki - Pracownia "Ośrodek Studiów Brytyjskich".

Pypeć, M. (2016). "Beautifully got up, but the illustrations we cannot admire" - Tennyson's "The Princess" as a Christmas Gift Book. In G. Bystydzieńska (Ed.). Things and Images in 18th and 19th century British Literature and Culture. (pp. 127-138). Warsaw: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.

Pypeć, M. (2016). Depicting the Body in the Victorian Novel - "The Strange Case of Dr Jekyll and Mr Hyde.". In G. Bystydzieńska (Ed.). Things and Images in 18th and 19th century British Literature and Culture. (pp. 227-235). Warsaw: Pracownia "Ośrodek Studiów Brytyjskich" Instytut Anglistyki UW.

Pypeć, M. (2014). "Wuthering Heights and the Nineteenth Century Campaign for the Abolishion of Slavery.". In D. Babilas , A. Piskorska & P. Rutkowski (Eds.). Face to Face, Page to Page. PASE Papers in Literature, Language and Culture. (pp. 319-326). Warszawa: Instytut Anglistyki UW.

Pypeć, M. (2014). "Tennyson's 'Ulysses' and Two Beelzebubs - The Significance of Miltonic and Dantesque Echoes in the Poem". In G. Bystydzieńska & E. Harris (Eds.). From Queen Anne to Queen Victoria. Readings in 18th and 19th century British literature and culture. Vol. 4. (pp. 453-461). Warszawa: Uniwersytet Warszawski, Ośrodek Studiów Brytyjskich.

Pypeć, M. (2013). "Outlaw Emotions": Carol Ann Duffy's "Eurydice", Dramatic Monologue and Victorian Women Poets. In J. Fabiszak , E. Urbaniak-Rybicka & B. Wolski (Eds.). Crossroads in Literature and Culture. (pp. ). Berlin Heidelberg: Springer.

Articles

Pypeć, M. (2015). Carnivalesque Gardens in Tennyson's 'The Princess.'. Acta Philologica, 47, (pp. 51-60).

Pypeć, M. (2015). Disguise and Gender in Tennyson's "The Princess". The New Review : an International Journal of British Studies, 5, (pp. 95-105).

Pypeć, M. (2014). Tennyson's Weeper Revisited - "Tears, Idle Tears" in Context. Studia Methodologica, 39, (pp. 13-18).

Pypeć, M. (2014). "Literature and Science in the Nineteenth Century: The Case of Tennyson's 'The Princess'.". Acta Philologica, (pp. 29-35).

Pypeć, M. (2013). Taking a Stand on Remembrance: Emily Jane Bronte and Victorian Literary Annuals. Acta Philologica, (pp. 38-44).

Older publications can be found on the complete list in PBN


Other

Courses conducted at The Institute of English Studies, UW:

 

”Victorian Poetry”, “Dramatic Monologue and its Aftermath (from R. Browning to Modernism)”, “Victorian Writing by Women on Women: Prose, Poetry, Literary and Social Criticism”, “Dickens”, “Dickens and Thackeray”, “History of English Literature”, “Introduction to Literary Studies”, “Culture and Literature (poetry, prose, drama) in the Nineteenth Century England” (MA seminar), “Introduction to Literary Theories”, “MA CLIL- Speaking for Academic Purposes”, “MA CLIL- Academic Writing and Text Analysis”.